(Background Music)
Yeah!
Scream.
Is there something wrong with her voice?
Why isn't she screaming?
Shekhar.
Scream.
Cut it. Fantastic. Superb.
Thank you, sir.
You were so good, so good.
- Thank you. - Thank you.
- Shekhar... - Sir...
Let me tell you, we've finally finished the film.
But the credit goes to you.
Else we wouldn't have finished this film so soon.
- Let me tell you that. - Sir, how was my acting?
It was very nice.
Sir, I'm just a junior artist.
Just give me an opportunity to say a dialogue...
You'll get your chance.
- Your name is Rahim, isn't it? - No, sir. Anwar.
Anwar! Keep in touch with Shekhar.
Sir, he's an old friend of mine.
Then you don't have to worry.
- All the best. All the best. - Thank you, sir.
Shekhar, go meet Mr. Mehra
and collect the signing amount for the next film.
I'm going to start the movie.
No, sir. I want to resign from the post of assistant director.
Why? I'm giving you a raise.
Sir, it's not the money. I want to direct my own film.
I've also started writing my script.
Look Shekhar, I'm sad
because such a talented assistant is leaving me.
But I know your talent and your capability.
Someday, you'll become a successful director.
Thank you.
By the way, how long have you been an assistant?
For 12 years? You should have started years ago.
I wanted to be completely prepared before I ventured out.
There's no shortcut to success.
- Fantastic, all the best. - Thank you, sir.
He's right, there's no shortcut. (Footsteps)
(Background Music)
You're back again?
I told you,
I don't want to sell this shanty. Get lost.
You would rather starve to death than sell this shanty.
He has given us teeth, and He will provide for us.
Excuse me.
Who are you talking about?
I was talking about teeth, and not tusks. Drunkard.
- Sir, please think it over again. - Go away.
I don't want to sell the shanty.
Get out. You scoundrel!
Who were you chasing away?
That builder was back again.
He was trying to allure the residents.
But I put my foot down, I don't want to sell the shanty.
Shekhar, what's wrong?
You're back early from the shooting today?
The shooting's over. So is the film.
And I've now resigned from the post of assistant director.
- What do you mean? - That means you're free as well.
Now you can help us... In troubling Kantibhai.
Scoundrel. Get lost!
Shekhar, Shekhar...
Son, if you stop working
how will you manage your expenses?
I mean... the rent...
Why are you worried about the rent? (Background Music)
- No, no. I... - Take this.
There's no hurry.
This note is torn. You can pay me later.
But son, what will you do now?
I'll write my own film,
which I will also direct as I had told you.
I've finished writing the story.
- I just need to write the climax. - Climax.
And that's why, Kantibhai, I don't want any disturbance.
I need to work on the climax.
- I understood. - Tell everyone.
Everyone listen...
(Laughs)
No... hey...
"Oh yeah!"
"What can be said after leaving you?"
"Oh yeah!"
"- Oh yeah! - Listen carefully, dear people"
"I shiver every moment"
"I feel breathless every moment"
"This heart beats fervently"
"Oh yeah!"
"I shiver every moment"
"I feel breathless every moment"
"This heart beats fervently"
"I've lost my slumber, and my peace"
"A desire torments me"
"I'm the cure for our ailment of love"
"Listen to me, there's a hole in my heart"
"If you start looking sad, just look upon the sublime"
"It's the love, it's the one divine like the kiss of the sun"
"and the world will shines"
"So drink me in, and put your own soul with mine"
"Come in order to wish for a sun"
"Besides your shadow, the whole fills up into my open heart"
- ♪There is a hole in my heart. - Oh, yeah"
"- How do I express... - ...my anguish"
"- Since my... - ...sweetheart has left"
"- Everyone's been... - ...tormenting me"
"Everyone's my enemy"
"What can be said after leaving you?"
- ♪ The ambience doesn't... - ...seem pleasant"
"- Flowers don't seem... - ...beautiful"
"- The moon... - ...doesn't seem nice"
"Nor the moonlight"
"Poor helpless woman"
"She has lost her senses"
"Poor helpless woman"
"She has lost her senses"
"We'll have to think of a solution"
"She's not in her senses"
"Quickly summon a doctor for her"
"I'm the cure for our ailment of love"
"Listen carefully, dear people"
"- The one you... - ...love"
"- The one you... - ...crave for"
"- The one you're... - ...crazy about"
"Forget him"
"There is a hole... There is a hole in my heart"
"- Change the... - ...ambience"
"- Make us... - ...your companions"
"- The grief you're struck with... - ...get rid of it"
"I cannot... live without him"
"I cannot live without him"
"There's no one else I like"
"I won't agree, I won't accept"
"No matter how much you persuade me"
"I'm the cure for our ailment of love"
Cut it, fantastic.
- Thanks Mansi. - Thank you.
- It has been a pleasure. - My pleasure.
Your sister has done splendid work.
- Really superb. - Sir, she's my daughter.
(Gasps)
Very good, dear very good.
Come on, get dressed quickly.
We've to go to V&V auto spare parts shop.
Why?
It's the inauguration, dear.
They'll give us a cheque for Rs.2 million just for cutting the ribbon.
- But papa... - Get dressed, you've to attend a party.
It's Mr. Vikram's opening shot party.
Many bigshots will be attending it.
We'll sign at least seven-eight films.
How many films do you want me to sign, Vikram?
I'm already working three shifts. I'm tired.
I'm not just a moneymaking machine.
And now I want to work only in good films.
Who makes good films these days?
You mean, if no one makes a good film for the next five years you won't work?
Yes, I won't.
Where are you going?
- Why do you want to know? - I know where she's going.
Then why ask me?
- But... - Wait.
(Background Music)
Okay. So there you are.
How many times have I told you
it's not right for us to meet publicly?
Sorry, sorry.
I hate my family.
Hey. What happened now?
I did everything for them.
After completing college
I danced in movies to cover their expenses.
Then one day, I became a film star because of you.
And our life changed.
They take every penny I earn
but still they don't seem satisfied.
(Sobbing)
I can understand. I can understand.
And I can endure everything.
In fact, I've been doing so.
Only because you're with me.
(Sobbing)
In fact, you're the only reason I'm alive.
And my family wants to get rid of that reason as well.
They are right.
What? What do you mean?
Even if we revolt against your family, and get married
what will the world say?
They'll say an ordinary assistant director
managed to hook a successful actress to make a successful career.
I don't want the world to think that I used you to achieve success.
That's why I maintain this distance between us.
So, when are you starting your film?
I'm writing it.
I promise you Mansi, the day this movie releases
I'll come propose to you.
- Promise? - Promise.
Have I ever told you that I love you?
Never.
I love you.
What are you doing here, instead of attending the party?
You don't have to yell.
- All the best for the film. - Thanks.
- Hey, I don't like this okay. - Really.
So sue me.
Order, order.
(Background Music)
- I... swear on my mother... - Cut, cut, cut.
- What happened, sir? - What are you saying?
You've to swear on the 'Gita' (Hindu scripture).
Sir, mother brings out the emotion. It'll look good.
No, no. Come on.
Where do they get them from?
- One more. - Take 32.
I swear on mother and 'Gita', that I'll only say...
Cut, cut.
Swear on the 'Gita'.
Oh, so you don't want 'Gita' and mother together?
- No, no. - Hold this for me.
- The 'Gita' or mother? One of the two? - 'Gita', 'Gita'.
- Taking sir, taking. - Take 33.
Action.
On this 'Gita'...
Sir, what was it that I had to do?
Swear. Swear. Swear on it.
Swear.
The dialogues are very complicated.
You can't even deliver a simple dialogue.
It has been repeated in over a hundred movies.
That's what I'm saying, sir.
It's such an old dialogue, done to death. It's a cliché.
Let's not use this dialogue.
- Let's change this dialogue, sir. - I'll change you. Out.
- Sir, sorry sir. - ♪Take the shortcut♪ (Wooden bar falling)
- Sorry. no, sir. Sorry, sir. - ♪Take the shortcut"
Out.
- Setting, throw him out. - Sir, I'm a very good actor.
Just one more chance, please.
- Please. - Throw him out.
Throw him out.
Raju.
(Traffic ambience)
- Have you finished shooting? - I left his film.
What?
Such a big director, Ghosh.
You got one scene in his film with great difficulty.
And you left it?
He's not a great director.
He doesn't know a thing.
He took the entire day, but couldn't complete any of my scenes.
What's this?
You've stopped working as a junior artist.
And going home with your baggage.
This is your luggage. (Sighs)
The landlord threw it on the streets this morning. (Horn honking)
I was bringing it to you.
Three days ago, I gave him a cheque for the past six months rent.
And the bank officials returned that cheque to the landlord.
- The cheque bounced again. - Yes.
I'll have to change my bank. They repeatedly bounce my cheques.
It's sheer bad luck.
Raju. How long will you continue like this?
(Bicycle bell ringing)
Take my advice, and apply for a junior artist card.
At least it'll take care of your expenses.
I didn't come to Mumbai to become a junior artist.
I came here to become a star.
You'll are distinguished as junior and senior
and not stars.
Junior artist.
I charge at least Rs. 50 million for a film
and not a penny less.
Do you have Rs.500?
- I've only Rs.200. - You should be ashamed.
You always have less than what I want to borrow.
Give it.
And arrange for Rs. 300 by evening.
I don't like to ask for it every time.
I feel ashamed. (Horn Honking)
Now you owe me Rs.500.
Where will you stay now?
No, no, no.
There are already five people in my room, instead of three.
Where will you stay?
I have a friend.
(Background Music) (Keyboard sound)
No.
(Background Music)
(Chattering)
(Background Music)
I got it.
I got my climax. Yes.
Thank you, God.
(Indistinct)
I got it. I got it. I got it. I made it.
- Jassi, I got it! - What have you got?
Shantibai, I got it, I got it, I got it.
- What did you get? - The climax of my film.
I thought a beautiful girl has fallen for you.
It's easy to get girls, Johnny, not stories.
Tatya, Kantibhai I can't just say what I've found.
Amazing climax. Superb.
Actually, I thought I would never get it.
But by the grace of God, I got it. I got it.
Tell me, what you've found.
The hero of my film, Siddhant comes to airport to meet Gayatri.
No, no, no, no...
He'll spend all that money to go to the airport
and then he'll say no, no, no.
Kantibhai, you don't get it.
If I tell you now
you won't enjoy watching the movie.
Now you'll have to watch the movie on the big screen.
Raju, what a climax I've thought of.
I'll have to make some changes in the beginning
according to the climax, I'll tell you.
I'm very happy for you.
He's a good friend of mine.
He writes well.
(Background Music)
When did you arrive?
You got the climax when I arrived.
I am so lucky for you. Isn't it?
If you want to have tea or breakfast do so
and get going. I've lot of work to do.
Kantibhai, please tell him. (Stammering)
Where are you going?
Why are you getting angry?
Shekhar, why are you getting angry?
Finally, we're friends. Come on.
- Forget it, forget it. - Thank you.
Oh. Did you forget?
Last time, I let you stay here for the sake of our friendship.
I went out for three weeks for outdoor shooting
and you kept five tenants.
- No... - What? Tenants?
You told me they were your relatives.
Liar, give me my rent.
They were cheats.
They toyed with my emotions.
They said they were my relatives.
- Where are you going? - I had checked.
- Hey, give me my rent. - Get lost.
Why are you getting angry?
- Just listen to me? - Whose baggage is this?
This is not baggage. You can put it away anywhere.
You sleep on that bed. Double bed.
With the cool breeze from the window. Wonderful.
I'll... Mind-blowing, I found my place.
Mind blowing! I sleep on this cot.
In that corner. Without any breeze. But I'll adjust.
- No, I can't adjust. - What are you doing?
Listen, listen, listen...
Remember the last time I was here
I treated you to such good food?
Oh! The one that you ordered from the hotel
and I had to pay the bills for?
Listen, listen, listen...
Hey. Come on.
I'm pouring my heart out, and you're talking about the bill?
Feelings. Try to understand my feelings.
Listen, listen, Please...
Look, I don't have a place to stay. Please.
- How long will you stay here? - Seven-eight...
- Days? - No, months.
Please, why are you thinking? Where else can I go?
If this time you do anything, then...
(Background Music)
Hi.
Where's Tolani? Tolani.
- Wait. - Mine is 72 kgs, what's yours?
(Background Music)
What are you doing?
I'm just checking.
There's a struggler that has troubled Mr. Tolani.
He comes in different guises to the office every time
to ask for a role.
Mr. Tolani has strictly told us not to let him in.
Strange.
By the way, what's your name?
Here's my bio-data.
(Laughs)
Tolani. You've been making loads of money.
Whichever gang you belong to
actually, the profit margin is not the same.
(Indistinct)
I had cast super-stars in my last three films.
- Mistake. - And all three flopped.
I didn't profit a single penny.
Hey you... why don't you give new talent a chance?
That's... that's exactly what I am thinking.
You just think, but don't do anything.
I've been thinking.
But who?
Hold this.
(Stammering)
Look. A very good actor.
Take him. He's a new talent.
- He looks nice. - Him?
Sir... hold this, hold this.
Sir, shoot me, shoot me. End this right here.
Mr. Tolani, if everyone has the same attitude
then what will happen to me?
- You! - Who?
Don't touch it, it will fall off.
- Raju! Security! - You're fired, go home.
- Get lost, go on... - Why you... don't push... Move back.
(Horn Honking)
Move back, Mrs. Tolani is on her way. Move back.
Is she coming in a bus? Is the gate not sufficient?
Mrs. Tolani.
(Background Music)
(Gasps)
Father, we will meet in the evening.
(Dog crying)
A rascal dog.
Yes, 9 o'clock.
(Dog barking)
(Indistinct)
- Sweety. My baby. - Sweety.
Save it! Sweety! (Dog barking)
- Sweety. Sweety. Sweety. - ♪Take the shortcut"
- Why you... Sweety. - ♪Take it, quickly"
Save my Sweety. (Dog barking)
Wait Sweety. I know that you have four legs.
- Nab it! - Sweety! (Screams)
(Sighs)
'Ghulam.'
Sweety, you'll get run over by the train.
Stop, Sweety.
(Background Music)
- Are you hurt? - No, I'm fine.
I was asking about my dog.
(Dog crying)
I saved her. I saved her.
Sweety.
Sweety, my baby. My Sweaty.
What can I do?
I'm an actor. We don't just save lives on the screen
but also in real life.
Even if it's a dumb animal.
What can I do? I'm an actor.
- You're an actor. - How did you know?
Are you an actress?
My husband is a film producer.
Wow. Who is he?
- Mr. Tolani. - You're Mrs. Tolani?
What a coincidence... Mrs. Tolani?
- What's wrong, brain tumour? - No.
I haven't eaten anything for the past four days
so I feel my blood pressure...
Monu, quickly get some snacks...
No, no. I don't eat outside food. Hey stop!
It's okay.
Leave me to my condition.
I wish my mother were alive.
She would treat me to home-cooked food.
Wonderful food.
Did you eat properly, son? Was it adequate?
Your love was enough for me.
But you'll have to eat these sweets. Please.
So sweet.
You and the Gulab Jamun.
- Please, have. - You? You.
I had you thrown out of my office so you barged into my home?
What are you doing?
- He saved Sweety's life. - Sweety...
- Brother-in-law, I... - My new brother-in-law.
- Listen to one thing, carefully. - Yes.
Until I don't find a super-duper hit script I'm not producing any film.
Bring me a super-duper hit script
and I'll give you a role in it, go on.
'Raju, what a climax it is, my friend.'
'I'll have to make a few changes in the beginning'
'according to the climax.'
'I'll tell you.'
If I get you a super-duper hit script will you cast me in the film?
- Yes, I will. Get lost. - Then I've found one for you.
Go.
(Background Music) (Whistling)
- Are you Mr. Tolani's driver? - Yes.
- What's your salary? - Rs.7000.
Listen, Mr. Tolani has cast me as his new hero.
So, I'll need a driver.
I'll pay him RS.12-15000.
Let me know if you find someone.
- Sir. - What happened?
Sir, please sir.
Sir, please.
Let me take a trial. Come on start the car.
Come sir, come.
(Indistinct)
Wow. Good. Very good, excellent.
I've never heard such a good script before.
I appoint you as a director for this script.
- Take this. - Thank you, Mr. Chaddha.
Thank you.
Keep your teeth within. Or there'll be a scratch on the car.
Whoever wants my autograph, better take it now.
- What's going on? - You won't get a chance later.
Hey.
Shekhar, I've become a star.
- I've signed my first film. - What are you saying?
- Your change. - Keep it.
Kantibhai, your prayers and my hard work have finally paid off today.
I've signed my first movie as a writer-director.
'Get a super-duper script. I'll give you job for it. Go.'
- Babu. - Yes.
Sweets for everyone.
- Kantibhai. - Yes.
Do you know what the producer said after hearing my script?
He said he hadn't ever heard such a script before.
- Was he deaf? - Quiet.
Shekhar, listen. (Chattering)
What?!
(Indistinct)
- You sold the script. - Sold? I'm directing it.
- Who's the producer? - Mr. Chaddha.
Mr. Chaddha. Did you have tea at his house?
Sometimes it doesn't have milk.
At times, it doesn't even have tea leaves.
He's a miser.
By the time you finish, you'll be stripped of everything.
He gave me a cheque for Rs. 7,00,000/-
He's not to be trusted.
What's the total amount that he offered you?
Two and a half million, why?
Two and a half million?
You can get anyone for Rs. 2.5 million.
You are a writer.
You should at least get Rs. 3.5 million.
Come with me.
I'll get you Rs. 4 million, right now, right now.
Come on, start the car. Start the a/c.
Hey shortcut, don't try to get me in one of your hassles.
I've promised Chaddha, and I can't go back on my words.
Why do you keep promising everyone?
Okay listen, listen.
You're happy with Chaddha.
I'm ready to do anything for you.
The script is ready, so is the director.
And the hero is right before you.
But we won't work on Sundays. Hey you. Take your car back.
I'm not doing your film, I'm doing my friend's film.
Just a minute.
Are doing this charade for a role?
I am not blind to take you as the hero.
I am making a film, not a horror show.
Why are you saying that?
Horror movies are successful too.
Have sweets. Have sweets.
Give these to your father. Get lost.
I'm not getting married.
- Make that two, please. - Sure, ma'am.
Ma'am, call.
- Hello. - I made it, Mansi. I made it.
You signed Mr. Chaddha's film?
Congratulations.
Mr. Chaddha fell in love with the script.
But... how did you know?
It's easy, Mr. Director. The industry is a small place.
I'm so happy for you.
Now, soon we'll be together forever.
My darling, it'll take at least three-four months
to complete the film.
So will you give me a treat after four months?
Let's celebrate. When can we meet?
Tomorrow at nine.
(Background Music)
"Tomorrow at nine, look at the moon"
"I'll look at it too"
"And this way, our eyes will meet at the moon"
"- Tomorrow at nine... - ...look at the moon"
"I'll look at it too"
"And this way, our eyes will meet at the moon"
"Tomorrow at nine..."
"Tomorrow, we might not be together"
"But the moon will rise, no matter where we are"
"The moon will show me your face"
"The moon will prove that I love you"
"Tomorrow at nine, look at the moon"
"I'll look at it too"
"- And this way, our eyes... - ...will meet at the moon"
"Tomorrow at nine..."
"I'm at peace in your presence"
"My paths are illuminated in your presence"
"Without you everything will turn dark"
"Don't fret. The moon will rise"
"Tomorrow at nine..."
"Tomorrow at nine, look at the moon"
"I'll look at it too"
"- And this way, our eyes... - ...will meet at the moon"
"- Tomorrow at nine... - Tomorrow at nine..."
"- Look at the moon. - Look at the moon"
"Tomorrow at nine..."
"- Look at the moon. - Look at the moon"
"I'll look at it too"
"- And this way, our eyes..."
"...will meet at the moon"
Priest, excuse me. Greetings.
Priest, what'll be the winning lottery number today?
Tatya, it's me Anwar.
I'm going for a shooting.
To hell with him.
- Shekhar... - Stop acting, and become a sage.
You'll earn more.
Shekhar. Shekhar.
Have you stopped acting?
I've got this role after a long time.
Give me some dialogues, and a catch line.
You'll have to treat me to tea.
The shoot was in the vicinity, so I came in the same disguise.
(Background Music)
(Whispering)
Oh!
Hey Raju. Raju, Raju...
What is it? What are you hiding?
I ate something stale and now, I have an upset tummy.
Stale. It must be someone's money.
- Cheat. - He must have.
Quiet.
Xerox it.
Just a minute.
Don't Xerox the first page.
Then it won't have your name.
So, will I forget my name if I don't read it?
Do you write down your name everyday, to remember it? Xerox it.
- I'll meet you after pack up. - Okay.
Hey Raju!
(Background Music)
Hey Raju!
(Shouting)
(Stammering)
What's wrong with him?
(Background Music)
(Gasps)
- Why did you run? - Run, when did I run?
You're still panting. You just did.
I called you so many times, why didn't you stop?
Was that you?
- I thought it was... Gopal? - Who is Gopal?
Gopal.
Junior artist supplier.
He's a seven-foot giant.
You thought I was that seven-footer Gopal?
Voice. I thought it was his voice.
I owe him money. That's why I ran away.
- Why are you sitting like this? - I'm doing yoga.
You've done something.
Kapalbhati. Deep-breathing exercise.
I've borrowed Rs. 20. I'll return it later.
(Panting)
What are you doing? Leave that.
You know what the people are saying?
They are friends, they live together. We eat out.
You signed your first film but you didn't take me as a hero.
I don't like it when people say such things about you.
- What are you saying? - Yes.
Who are these people? Tell me. I'll break their bones. Tell me.
You don't need to get physical for such a small thing.
Sign me as the hero, your problem will be solved.
You keep requesting me for roles
have you ever read anything about acting?
I have. I've read 'Mayapuri', 'Kachchi Kaliyan'
- I've read 'Film City'... - Have you read Stanislavsky?
What has whiskey got to do with acting?
Fool... Stanislavsky has written many books on acting.
Read them.
Raju, if you want to become a good actor
then all this is necessary.
Watch world cinema, Indian cinema. Literature.
Study the autobiographies of great people.
After reading them, you'll understand different characters.
Acting isn't just saying your dialogue or doing action.
Anyone can do that.
Acting is... reacting.
Acting is... behaving.
Get me.
These are just a waste of time.
There should be a shortcut to everything in life.
I want to be a star, come on.
Show your acting at the neighbourhood square.
I've never seen an actor as bad as you.
Bad, bad, why do you always call me a bad actor?
- I also call you non-actor at times. - Non...
You're crossing your limits. Just watch, someday I'll be a star.
Get that. I'm leaving, I'm leaving.
Take your baggage.
I'm going to have tea, get that.
Shall I take my baggage along?
That's it! Fantastic. Wonderful.
It's a superb script.
I've never heard such a script in my life.
Mr. Tolani, you've hit the jackpot.
Even if you cast a fool in this film... Jubilee.
- Sir, there's a problem? - What?
The person that has given the script, has a condition
that you will have to cast him as the hero.
Else, he won't give the script.
- Who is he? - Raju.
- Hello! - You.
Sir.
- Out. - Sir, listen to...
Out.
Though this is my office if you won't leave, I will.
Just because I gave 200 retakes for a scene.
You think I'm a bad actor?
Sir, acting is in my blood. Acting is in my veins.
Sir... world literature,
world cinema, world theatre,
I've toiled day and night to practice it.
Acting is about reacting.
Acting is about behaving.
Acting is about... acting.
Give me back my super-duper hit script.
- I'll give it to someone else. - Out.
- But... - I'll handle him.
You wait outside.
(Background Music)
Sir, you just said if the script is nice you can direct any fool.
I can direct a fool, but not him.
Sir, you're such a great director.
I am a director, not a ring-master.
Cool it. Cool it, sir, please.
Please, please sit down. Please sit.
Sir, if I turn him into an actor within three months
- will you then direct him? - Yes.
But who will make him an actor in three months?
The time...
Chitralekha, I'll destroy the barriers of time
before it destroys us. Say it.
Chitralekha, I'll destroy the barriers of time
before it destroys us. (Chorus in the background)
Chitralekha, I'll destroy the barriers of time...
Open your mouth. Now say it.
Chitralekha, I'll destroy the barriers of time...
- I want clarity. - Yes, sir.
Chitralekha, I'll destroy the barriers of time...
Stop it.
Anything you do... do it from your heart.
To be, or not to be.
- To be... - Excuse me.
Teacher, hello.
- Yes, who are you? - I am hunger, satisfy me.
- Yes, you... - Mr. Tolani has sent me
to learn acting. My name is Rajesh Kumar.
Rajesh Kumar? But Tolani, mentioned some Raju.
Sir, I am Raju. Off-screen name, sir.
Sir, you are simply great.
Along with teaching acting
you also look after these crazy people.
Are you mad? I'm teaching these children
to become great actors.
What do you know about the Nine 'Rasas' (emotions, also juice)?
I know it sir, mango juice, watermelon juice...
You're impossible! I am not talking about juice.
But the acting 'Rasas'.
Don't know where these people come from to become actors.
Teacher, teacher.
I've just signed a movie with a super-duper hit story.
Once the movie releases, I'll become a star.
Take your fees, and give me a certificate of a good actor.
Acting is not peanuts, which I can give you
- and you swallow them. - Correct.
I can't issue such certificates.
You'll have to complete a nine-month course.
Nine months? I was born in six months.
In life, everything should be done in a shortcut, sir.
Quickly, fast.
A talented man like you... Shame on you!
How much do you get?
Rs.20000 per student.
Rs.400000 for 20 students.
I'll give RS.500000.
You keep the Rs.500000 that I'll get.
I suggest you become my secretary.
And I'll give you 10% of the income.
Me? Your secretary?
Yes, first just a secretary and then a producer.
After all, I am going to be a star.
You make the calculations.
- 15 percent, fine? Happy? - Happy?
After 20 years of hard work
do you think Guru Kapoor will sell out for 10 or 15 percent?
- Never. - Sorry.
Will you give me 20%?
Why not? Sure.
But don't ask for anything more.
(Background Music)
Are you mad? Raju, a hero.
Then I'll have to congratulate him?
Where's the first shot?
1, 2, 3, 4... Cut, cut.
Dance teacher... show him the dance steps.
Sorry girls, one more.
- What's going on? - It will be done.
Michael Jackson, this is your 36th retake.
What are you saying? It's just 34, I've been counting.
Are they counting the rehearsals as well?
Dance master, can you please give our hero some simple steps?
First, you changed the dance steps.
Then, you changed the hand movements.
He doesn't move his head, you changed that as well.
Now do you want me to teach him? Eye movements?
Come on. One more. Quick.
God knows how many retakes will he give!
- Take him up. - Shekhar.
Come, come, come. You've come at the right moment.
Reema. Very talented boy.
My daughter.
- Hi. - Hi.
- Yes. - I'll try. I'll try.
This Shekhar will become a very good director one day.
Sir, I've been writing my own script.
Five minutes break.
(Chattering)
I would have never worked with this clown
if the script wasn't good.
Come on, girls. You all take rest.
- Who is the writer? - The writer...
Shekhar, my friend.
What are you doing here? Come, let's go out.
- How is everything with you? - What?
How is everyone in the shanty?
How is Tatya? All are fine, isn't it?
Very good.
Why have you come here?
To see if you really are the hero.
Anwar told me, but I didn't believe him.
Now you know.
Good bye, get out.
What's wrong with you?
First, you disappeared from the house...
Why should I tell you? Why should I tell you?
I'm a non-actor according to you.
I can't act, but still I'm a star.
Look, look they already want my autograph.
- Do you have a pen? - Oh no, sir.
This is the bill for the tea and sandwiches.
You! I am a hero. You're asking money from me. Get lost!
I am Guru Kapoor, acting teacher.
My student.
Look, we'll finish shooting the dance eventually.
Let us rehearse the scenes.
Why do we have to rehearse the scenes?
First, we'll finish the dance sequence, and then the scenes.
If you give so many retakes for
the dance we'll be kicked out of the industry.
Listen, the scene is the girl arrives at the tea-stall.
Offer her tea and tell her to go home.
Why are you telling me all this? I don't need to know all this.
Listen, we're no longer friends. Bye.
Scoundrel, we never were friends.
- Good bye. - Good bye.
I'm going to tell the director/producer
that I cannot act with stupid actors like you.
That's it. I am over. I am going. Bye. See you I'm going.
- No, where are you going? - I cannot tolerate such
- an insult even for 20%. I'm going. - I'll increase the percentage.
Look, don't do that.
You shouldn't narrate the scripts and dialogues
to such ordinary people.
He would've liked the scene.
He surely would have, he has written it.
(Sighs)
Don't tell him that we're making his film.
Thank you.
He's a thief too.
"Take it. Take it. Take the shortcut"
"Don't grieve about what's right and what's wrong"
"Take it. Take it. Take the shortcut"
"- Don't grieve. - Take the shortcut"
"- You've less time. - Take the shortcut"
"- I swear. - Take the shortcut"
"Take it, quickly"
"- Don't think. - Take the shortcut"
"- It's a long queue. - Take the shortcut"
"- Come on, fool. - Take the shortcut"
"- Let's go. - Quickly"
"Take it. Take it. Take the shortcut"
"Don't grieve about what's right and what's wrong"
"Take it. Take it. Take the shortcut"
(Chattering)
Tomorrow, you'll know whom I have chosen as my assistant.
Because I'm starting my picture next week.
And the next meeting will be in Mr. Chaddha's office, okay?
Shekhar. Shekhar, is your phone switched off?
It's on silent, why? (Horn Hinking)
Mr. Chaddha has been continuously calling me.
"Asking me to get Shekhar on the line."
Please talk to him.
- Bye, sir. - Okay, thank you, bye.
(Chattering) (Horn Honking)
Yes, Mr. Chaddha. My phone was on silent.
The story that you gave me, that film is already.
- What? - Same to same dialogue.
Same to same situation.
Like the script that you gave me.
That's not possible?
Why isn't it possible?
Come and see it for yourself.
There's a preview in Dimple Theatre.
I'm on my way.
Auto!
(Background Music)
Hey Raju. Wait.
(Background Music)
(Gasps)
(Car Door Closed Sound)
Oh, Drive, drive.
Move.
Did he steal cash other than the script?
Shut up!
(Clearing throat) (Sighs)
(Gasps)
Come inside. What are you doing?
- Close it, fast! - Come out! You scoundrel!
I let you stay with me, and fed you.
- Security! - And this is how you repaid me?
You stole it, you stole my script.
You stole my script.
Stop. (Panting)
I won't spare you. I won't let your film release.
Mr. Shekhar. Mr. Shekhar, listen to me.
- I am the producer of the film. - I won't spare you.
I understood, please.
Come with me, please. Please.
Mr. Tolani, I won't spare him.
Shekhar, I can understand.
I made a grave mistake by believing a cheat.
But I'm in a dilemma now, Shekhar.
If you file a case, my film won't release.
And I am neck deep in debt, Shekhar.
I'll be completely ruined.
Shekhar, Please help me.
You can ask for any price you want.
- But please... - Stop.
Stop the car.
- Shekhar. - Stop the car.
(Background Music)
Shekhar, what happened Shekhar?
I just found out.
So sorry.
Come. Let's go to my lawyer right now.
We'll file a case against him.
- No. What's the use? - What's the use?
We'll stop the film from releasing.
What's the use, Mansi?
Raju committed the crime and Tolani will have to pay the price.
What's the use?
He's neck deep in debts.
He produced this film with great difficulty.
Raju should be punished.
(Background Music)
Mansi, he didn't just steal my film, but my entire life.
Mansi.
- Why are you shouting? - What were you doing?
What are you doing in this wretched shanty
with these poor people?
I've told you a thousand times not to interfere in my personal matters.
What the hell?
If you don't care for your honour
you should have thought about your family status.
If the media finds out, that superstar Mansi
was in this place, with these poor people our honour will be tarnished.
- Just shut up. - You shut up. Don't you...
Hey. Don't make that mistake.
Mansi, go with him.
No, I cannot leave you in this condition.
I'll be fine. I can take care of myself.
You go.
If you, or your family members, misbehave with Mansi because of me.
I won't spare you'll.
Hey sit. Now go back the way you came here.
Reverse. This is a one way. (Chattering)
Go. Go.
- Throw him out from here. - Get lost!
Don't you dare come here again!
Shekhar.
I've left that house, and everyone.
There's nothing else I could do. I was fed up.
Shekhar...
(Background Music)
(Birds Chirping)
Mansi.
- When did you arrive? - Last night.
Is it?
(Background Music)
- Did you leave your house? - Yes.
Now I'll live here.
If it's okay with you.
Mansi, you...
(Door knocking sound)
Ms. Mansi. Ms. Mansi.
(Chattering)
Ms. Mansi, is this your house?
How can her house be so small?
But her car has been parked here since last night.
Whose house is this?
That means you spent the entire night here?
Whose house is this?
Ms. Mansi, why won't you say something?
He's assistant director, Shekhar.
What's your relation with him?
- Tell us. Tell us. Tell us. Tell us. - Mansi, tell us.
We want to know. Tell me.
Yes, his name is Shekhar.
And I love him, and I'm going to marry him.
- Ms. Mansi, congratulations. - Congratulations.
What about your films?
I'm leaving films forever.
Mansi, what about your millions of fans, then?
Congratulations.
Such a successful heroine has fallen for you.
You've hit the jackpot.
Now it's easier for you to become a director.
- Wife is a heroine. - I'll break your face.
Get out of my house.
Get out of my house. Come on.
Get out of my house, come on.
- Sir, how can you do this to us? - All of you, get out. (Chattering)
All of you, out.
Hey, he seems to be a very insolent man.
Go away from here.
(Chattering)
What have you done?
You didn't even think before giving such a statement to the media.
I know what I just said.
You'll only get difficulties in life with me.
I accept.
But if you don't accept me Shekhar, I'll die.
I don't want to go back to that life, Shekhar.
I want to live with you.
Please, Shekhar. Please.
(Background Music)
Congratulations.
(Chattering)
Very nice.
Now you're married, so plan a family quickly.
Shekhar, here. Take this. Keys.
What is this?
- We've found a house for you. - Yes.
- Not a house, it's a palace. - Yes.
And the rent, pay less.
(Chattering)
We got it for cheap.
- Take the cheque along. - Okay.
And listen. Sell this ring as well.
Last week, you sold your camera. And now this.
Try to understand, I'm not alone any more.
Don't want her to have any dearth of anything.
How long will you keep selling your belongings
for the expenses?
You know I'm writing another script.
As soon as I finish the story, all our problems will be solved.
Then finish your story quickly.
It's not that easy.
And anyway, I've still not forgotten anything.
I understand.
Anyway, good luck for your writing.
I'll make a move.
- Join me for lunch. - Okay.
I hope this fake coin works.
(Coin dropping sound)
- Hello... It worked. - Hello.
Hello, is it Studio 18?
- Yes, tell me. Fast. - How was the movie Chhalliya?
- Super-hit! - It's a super-duper hit.
Thank You.
That fool made it as well.
Raju is a superstar. I've hit a jackpot.
(Background Music)
(Keypad sound)
(Background Music)
Hey!
Mr. Tolani? You?
Congratulations on your marriage, Mansi.
What a surprise! Come in.
Congratulations.
I won't take much of your time.
- Come in. - Take a seat.
- Yes. Yes. - But who told you the address?
Our film industry is very small.
We know everything.
Mr. Tolani, what would you like?
- Tea or coffee? - Water. Just water.
Just water. You'll have to take something.
I'll get juice for you.
(Laughing)
Nice, nice house. Nice.
- Here. - Oh! Thank you.
Thank you. Most welcome.
Mansi, I can never forget what Shekhar has done for me.
But I still want you to keep this.
- What is this? - Just a cheque of Rs. 500000.
Advance, for my next film.
You want me to write your next film?
Not just write, but direct it as well.
And we've already signed that fool Raju.
Mr. Tolani, how could you think I would work with the scoundrel?
Look, in our film industry
there are no permanent friends or enemies.
Sorry.
Fine, I'll take your leave.
I want to tell you one thing.
Shekhar, I know you are a genius.
But you know the law of our industry.
Success makes a man.
Every genius is considered crazy until he succeed.
And every crazy man that succeeds is called a genius.
I don't want people to call a genius like you crazy.
Think about what I said.
(Background Music)
(Footsteps)
Shekhar.
Yes?
Whatever he said wasn't wrong.
Please don't try to decide what's wrong and what's not for me.
You've taken the right decision Shekhar, to come back.
I'm very happy.
I was completely lost without you.
- Ahaan, Ahaan come here. - Yes, sir.
- He's Mr. Shekhar. - Hello!
He'll be my assistant director.
Explain the details of the film to him
- and introduce him to the producer. - Right, sir.
- All the best. - Come, sir.
Sir, this is the script file. Please, have a look.
Really?
Sir, this is Mr. Shekhar, Mr. Tolani's associate. (Birds Chirping)
Hi Shekhar. How are you?
Mr. Tolani's asked me to introduce him to you.
- Okay, fine. - Ma'am, get ready. The shot is ready.
- I'll just come. - Go, please carry on.
See you, Shekhar.
(Birds Chirping)
Shekhar.
There are opportunities in your own house
and you're looking for chances outside?
I didn't understand you. (Birds Chirping)
Your wife is so beautiful, she's a superstar.
Why don't you let her work?
Bring her to my office.
We'll have coffee. Discuss a new project.
I'll sign you as my director.
I'm not interested in becoming a director this way.
Do you want to be an assistant all your life?
I don't raise my hand on elders or...
- Or what? - Who has come asking for a job?
I don't want to work with you.
What are you saying, Shekhar?
Do you want to leave the film industry?
But it was your dream.
- I hate this dream now. - Why?
Kantibhai, I've already forgotten how Raju cheated me.
But Mansi is a superstar
and her stardom is creating obstructions in my path.
Everywhere I go asking for work, people taunt me.
They laugh at me, make a mockery out of me.
I can't endure this any longer.
I have to manage my household expenses.
How long can I keep selling my belongings?
Look, son if you want help...
No Kantibhai, I don't need help. I need a job.
Any work, any small job
that doesn't include the film industry.
Look, I have a friend who does marriage catering.
I'll talk to him, and he'll appoint you as the supervisor.
Come on, hurry up guys.
- Yes, sir. - Hurry up, hurry up.
The guests will start arriving in ten minutes.
Yes, sir.
(Laughing)
- Keep the ashtray here. - Yes, sir.
(Indistinct)
He's doing catering.
Hello.
Shekhar, I wanted to start acting in films again.
Okay.
Anyway, there isn't much to do at home.
I haven't stopped you, Mansi.
You decided to stop acting.
You want to start again, then go ahead.
You must do it.
Anyway, once I start working
I'll help you out with the household expenses.
Hold on. You don't need to work to manage the expenses.
That's my responsibility.
- Shekhar, that's not it. - Then what is it?
Is there any dearth in your kitchen?
Lentils, rice, sugar, flour?
- Shekhar, that's not it. - Look, Mansi.
You can work if you want, but only for yourself and to do me any favour.
Ask me for whatever you want, and I'll get it for you.
How will you? With your catering?
Oh! So you know.
They why twist your questions?
You could've asked me.
You've been deceiving me. And I don't know for how long.
Everyday you tell me you'll write the story.
Look, I don't want any arguments today.
What difference does it make
- if I earn for a living? - It makes a difference.
I thought you're broad-minded.
That you don't have a male ego, like other men.
I do have an ego.
Look Mansi, if today I was a successful director
and you would work as well, it wouldn't make a difference.
But nothing is going right for me now
and if you work out, what will the people say?
What will the people say!
- Who cares? I'm talking about us. - Enough.
I don't want any arguments.
Talk to me, Shekhar.
Where are you going?
Some place I can find some peace.
Shekhar, stop.
(Background Music)
- One more. - Sure, sir.
Sir, please autograph please.
- Mine? - Sir, please.
- Why him? - He's superstar Mansi's husband.
Do you want to say something?
Good night.
(Zipper sound)
What?
What are you staring at? Yes?
I'm drunk.
I drink, once or twice a year on a happy occasion.
But today, I drank for my peace of mind.
I have to drink to endure the taunts of the world.
Earlier, I was all alone.
Cinema was my life. My dream.
I aspired to be a writer, director to make films, do this, do that.
But I never realized when I lost that dream.
Who am I today?
The useless husband of a superstar.
That's all I am now.
I've lost, Mansi. I've lost.
(Background Music)
(Phone Ringing)
Hello.
I am Mansi speaking.
Mansi?
Shekhar, whatever you told last night was true.
I think coming into your life suddenly was my fault.
But I am going to reform.
I can't return to my parents' house.
But I am leaving your house.
Like I came into your life without asking.
I am leaving without telling you.
(Background Music)
Sir...
Oops.
- Sorry. - It's okay.
- Can I have some ice, please? - Sure.
Shekhar.
What have you done with yourself, Shekhar?
Raju cheated you. Mansi left you.
And you're still where you were.
I'm ready to make a film with you, Shekhar.
Are you ready?
I won't ask you to cast Raju in the film.
But the fact is Raju is in demand.
But still, for you I'm ready to make a film without Raju in it.
No Mr. Tolani.
I'll make a film with Raju.
I'll fight against those who hurt me.
(Chattering)
Bring the pen cover please.
Sir, there's no trusting this film line.
We can go out of business.
I've heard that new star sons are being launched.
- What are you saying? - Yes, sir.
Don't they know about family planning?
Sir, we'll have to do some planning as well.
We'll have to start a side business. I think so.
Right.
- I've thought of something. - What?
Flat bread and 'papad' (crispy Indian wafer).
Flat bread and 'papad'?
People can stop watching films but they can't stop eating, Kapoor.
- Then shall I call my friends. - Why?
- Do they cook good flat bread? - No, sir, for the finance.
Business is always done on others money.
Kapoor, you're a genius.
This Tolani always keeps calling. (Cell Phone Ringing)
Just because he gave me break, he's now chasing me.
Sir, we've taken a signing amount from him.
So, we've taken the signing amount from many others.
Shall I act in everyone's films?
Sir, we've signed a contract with him as well.
- Don't worry, I'll deal with him. - I hate this paperwork.
Yes, Mr. Tolani please talk quickly. This is an ISD call.
Where are you?
- We're... in America. - America.
Where in America?
- Where? - East America, East America.
Below a building, it's a tall building.
We're in East America.
When did you come to America?
Why are you'll joking with me?
It's the jet lag. We didn't realise that we've landed.
Can I talk to you?
What nonsense?
Have you gone mad?
How could you think that I'd work with that Shekhar?
Sir, it's a good script. A brilliant role.
- You could get an award as well. - Who cares about the award?
I can buy awards.
Listen, I'm ready to work with any writer and director.
But don't mention that Shekhar to me.
Get that.
Sorry sir, I'll produce this film with Shekhar.
If you refuse, I'll have to give this opportunity to a new face.
Sorry sir, sorry.
Just a minute, Mr. Tolani.
(Background Music)
- Done. - Done?
- What? - Rajesh Kumar will act in your film.
- But he... - I told you.
Call Shekhar tomorrow, we'll make up with him.
Thank you.
Thank you very much sir.
It's a brilliant script.
It's a brilliant role, it'll work sir.
What nonsense?
Kapoor, have you gone mad?
Do you work for me or that Shekhar?
How dare you say yes, when I already refused?
- Why don't you understand, sir? - What?
Your first film, the one that made you a star was written by Shekhar.
- So? - If you refuse, then Shekhar
will make this film with someone else. And then he'll become a big star.
And Shekhar will become a bigger star than him.
I have an idea.
We'll start shooting for Shekhar's film but we won't finish it.
Genius.
You're a genius.
You mean, we'll finish 3/4th of his film
and won't give him dates thereafter.
The movie is still near completion. Never ending story.
It doesn't end.
He has grown old.
Brilliant.
(Background Music)
Hey, Koki.
Hey Koki.
Kanti, why are you making such lewd gestures at this age?
Shekhar has started writing again.
Oh God, I think he's stuck at the climax again.
Why is there a climax in the film?
(Gasps)
What happened?
- Shekhar! - You'll get it, son. You'll get it.
I've finished it Kantibhai.
I've finished my script.
What are you saying?
Very good Wow!
Have you written down the names of all the characters?
Yes, sir.
But sir, I want to read the climax once again.
As you know, the picture is about a negative hero's story.
- Right. - Right. So in the climax
the heroine, Gayatri jumps from bridge
and commits suicide because of the actor.
- Right sir. Yes. - The hero runs from there.
Some masked men follow him.
Finally, the police arrests him at a point.
And there, he loses his mental balance.
- And goes insane. - Wow! Sir it's really different.
By the way sir, when are we going to start shooting?
Mr. Tolani will return from Lonavla this evening.
We'll decide our shooting schedule then.
- Wow! - Shekhar.
- Shekhar. Did you get the news? - What?
Mr. Tolani was returning from Lonavla.
His car met with an accident on the way and he died on the spot.
What?
(Background Music)
Hello.
We were supposed to start shooting our film today.
- But now... - Don't worry, sister-in-law.
I'll take responsibility of the film.
No. It's not my cup of tea to borrow such a huge amount
from the market and use it for business.
Now I won't make this film.
Sorry, Shekhar.
Okay.
No, no, no.
Sister-in-law.
We'll make this film.
I'll invest the money.
What are you saying?
And I'll invest it on behalf of Mr. Tolani.
You don't have to invest a penny.
I'll invest all the money.
If we profit, I'll give you your share.
And if we suffer a loss, I'll bear the entire brunt.
Do you have any objections?
No.
Residents of Hansraj Wadi.
With a heavy heart, I've taken a decision.
I've decided, that I'll sell this shanty
and let them build a mall here.
One minute. Congratulations.
This is the first good thing he has done in his life.
Keep quiet, you moron.
(Gasps) (Laughs)
Each one of you will get Rs. 6.8 million for your rooms.
(Drums Beating)
But, but I won't give you the money right now.
Kanti, no one is asking you for the money now.
You can give it whenever you like.
Move.
We'll get the money, after eight-nine months
when the builder demolishes this building.
But until then I want to invest this money
in the film that Shekhar is directing.
The producer of Shekhar's film suddenly passed away.
So, I've decided that I'll invest this money
in Shekhar's movie, and become the producer.
If anyone has any objections raise your hands now.
And I'll give him his money.
I knew it, I just knew it.
I've kept your cheque ready, come and take it.
Kanti, keep your money to yourself.
- No. - Yes.
We trust Shekhar as well.
I put my money on stake, I am Shekhar's film producer as well.
- I am the producer too. - I am the producer too. Me too.
Friends, think carefully before investing this money.
The movie can flop, and you may lose your money.
No problem. We have played the game whether we win or lose.
But I know one thing, if you make a film it will be good.
Hence I am the producer.
I have faith. I am also the producer.
- I am also the producer. - I am also the producer.
- We are also producers. - I am also the producer. (Drums Beating)
- I am also the producer. - I am also the producer.
Did you see Mr. Kanti, we were not getting one producer. (Crowd Cheering)
- Today we have so many. - I am also the producer.
(Background Music)
(Chattering)
Here it is. The hotel has finally arrived.
Kanti, the hotel was always here.
- We've have arrived at the hotel. - Shut up.
And Koki, this is a foreign country.
Don't open the windows, and hang your clothes out to dry.
I know.
Shekhar, we've booked you a room where Raju is staying...
Nothing doing. I'm staying with all of you.
- But that's a bigger place. - No.
I'll go and take a look at the location.
Save me.
Help. Help.
(Girl Crying)
Help. Save me.
(Girl Crying)
Save me.
Cut. That's it.
Superb!
Thank you. Thank you. Everything was fine, isn't it?
Wonderful.
- Are you sure? - Absolutely.
Okay great.
(Background Music)
Why is he waving his hands like that?
Maybe he's shooing away the flies.
Sir, lower your hands. No one knows you in Bangkok.
I'll have to do a Thai film.
Morning.
King Kumar only eats Australian apples
Brazilian oranges, German chickoos and African bananas.
We'll have to go around the world for that.
- It'll take 20-25 days. - Shut up.
Hey man, I need everything I just ordered.
Get that.
And they want to be producers!
"Take a shortcut"
"Take it, quickly"
"Take a shortcut"
What's the scene?
The hero comes to the heroine, gives her a bouquet
- and says sorry. - Sorry.
King Kumar will say sorry to a ordinary heroine?
Have you lost it! Are you mad?
Oh my, my... his fans will go on a rampage in the cinema halls.
In the earlier scene, he refused to recognize her
in a party, and she leaves the party.
Look at that. She left the party, and I apologize.
What's the logic behind it? What's the logic behind it?
It's very important for the hero to apologize
or else, the movie will end here.
Fine.
Sir, he's talking about finishing the film.
We've to leave the film incomplete.
Fine. Where's the camera?
There, on the trolley.
Did you take my permission?
Sir decides the camera angle in every film.
- I am the director, I've thought... - Who asked you to think?
Who gave you the permission to think?
People come to the theatre to watch me.
They don't come after reading the director's name.
No one knows that there's a director called Shekhar.
I'll tell you what the shot will be.
Top. The camera will be placed there.
And my entry will be in the top angle.
- But sir... - Yes.
Your expressions won't be seen in the top angle.
Yes, and we'll have to bring you on a stretcher.
Yes, and on the stretcher, I'll only get sympathy.
- Listen. - Yes.
Your first entry in the film will be a top shot.
I can't keep repeating top shots.
You should have told me this earlier.
Wasting my time.
Come on, get the shot ready.
Very good.
Keep tricking him like this.
Else, he'll keep arguing everyday
and increase the budget of our film.
- Let's go for it. - Yes sir.
Break the coconut.
- What are you doing? - Are you blind?
Good morning, sir.
- Who is it? - Please, come.
(Chattering)
What else do you do other than acting?
- Makeup, reciting dialogues. - Amazing.
I do the same things.
Our thoughts are so similar.
- Is this your first film? - No, I've done a film before this.
- Yes. - 'Pativrata.'
That's why. You seemed so familiar.
You acted so well.
You were looking so cute in that movie.
I've seen it seven times.
He's a new kid, directs films.
Approached me. Sir, please act in my film.
I said, if you want me to act in your film
then I'll act opposite only...
- What's your name? - Gayatri.
I'll work only opposite Gayatri.
- But sir... - Forget all ifs, buts, kisses and hugs.
All this can happen after the pack up.
But sir, I was a child artist in that film.
I was also a child in my childhood.
That's when I decided
the day I become a superstar
I'll work only opposite Gayatri.
Thank you.
- Kapoor. - Sir.
- Hurry up. - Coming, sir.
- Kapoor, order my special milkshake. - Yes.
Hey lightman, come here.
Sir wants a nice milkshake. Go tell the producer.
I am the producer. Which milkshake do you want?
You're the producer?
- Get out, get out. - Out, out.
- Whose milk do you drink? - The milkman's.
Your milkman gives milk.
No, I mean the milkman delivers the milk at home.
That was scary.
- The buffalo or the cow. - Cow.
- What guy! - Kapoor, get her some juice.
Right away, sir.
Hey, hairdresser.
- Yes. - Come here.
There are two producers here, one wearing a cap
and the other with his teeth sticking out.
Call one of them. I need to order for juice.
Give me the order.
I'm the producer.
- You too. - Lower the exposure.
- Shekhar. - Yes.
I'm a very ordinary artist.
I never got the chance to say a dialogue.
You gave this chance to an ordinary artist.
Hey, I gave you this role because you are a good artist.
Not because you are my friend.
Hey, give me tea.
Not this nonsense. Get me an international brand. Quickly.
Sir, sir... King Kumar's costumes have been ironed
and they are ready.
Hey, dress man. King Kumar never wears the same outfit twice.
There'll be two sets of every costume, get that.
And anyway, there are many producers here.
Go tell this to anyone.
There's no need to tell anyone.
I'll have it made. I'm the producer.
What? Producer?
Raju.
Fool.
Do people call you Raju?
No sir, he's calling you.
Raju, I took a trip to Ajmer.
- And I got this... - Where's my phone?
Phone. Kapoor.
(Background Music)
- Kapoor. Come here. - Yes.
See that man wearing the glasses, next to the heroine?
Send him here.
- I need to talk to him. - Right away, sir.
He's ruining my reputation.
- What are you doing here? - Shekhar gave me a role in his film.
Lousy junior artist.
Just because you got a chance to say a dialogue
you're getting so arrogant?
Why were you ruining my reputation in front of the heroine?
What is this?
I said it because Raju is your...
King Kumar.
Is it too long? Call me King. King.
I'll chop your role from the film.
People will see you only in the interval.
Get out. Go, go.
Sorry.
Uncle, an autograph... please.
Your mummy is here too?
Sir, international tea.
Not this one, get me a strong No. 3 Indian tea.
I have a headache.
Every person I come across says that he's the producer.
Don't tell me that you're a producer as well.
I'm the producer.
Hey, wait. How can you be the producer?
All of us have invested our money equally.
All of you? How many producers are there?
There 30-40 more in Mumbai
but they didn't have their passports.
They've become a producer without passport.
I know it's difficult to work with a superstar like me.
But I've a solution for it.
Solution?
Meet me in my room at 7:30pm.
I'll teach you everything in a few hours.
Yes, sir.
(Background Music)
"Two stars will meet tonight"
Romance is in the air.
Mind blowing. The seating is perfect.
Here. Yes, baby.
The sofa's empty.
If she sits here, it'll take her all evening to go to the bedroom.
Bad idea.
I'll have to do something.
What should I do?
I'll throw these sofas out of the hotel.
Yes.
Perfect. Yes baby.
Okay. Okay.
(Clearing throat)
(Doorbell)
I am coming, baby.
Hi!
Come on, darling.
Come on.
Sorry about this.
Actually, they've just done pest control in my hall.
But there's no control in my bedroom.
- Hello. - Oh, God.
Who are you?
- Hi. - Hi.
- These are my mom and dad.
You have mom and dad as well?
Yes, since I was a child.
Even I have a mom and dad. They are at home.
They are restless to meet you.
I controlled them somehow. Let us meet first.
- Of course. - Oh my God!
I'm such a huge fan of yours.
I think about you when I sleep at night.
What are you saying? Make her understand.
She falls asleep when your film starts.
Yes.
Wow. Such a big star
and he has made such big preparations for us.
So sweet.
- God. - What happened?
Oh my God, champagne.
Champagne.
- How do you open it? - Careful.
- Here, it's... - Careful, your hand.
(Shouting)
(Groaning)
- What have you done? - What happened?
What happened? What happened?
Are you badly hurt?
- Should I apply ice? - No.
- Or else it'll swell up. - Fine.
Go get the ice, I'll apply it.
Don't... don't you dare touch me.
- Go. Go get the ice. - You call the doctor.
- Come dear, let's get the ice. - Go and get the ice.
- I'll call my doctor. - Fools.
Scoundrels.
Why do these heroines have parents?
Wow!
Mansi!
Mansi, what a pleasant surprise!
Same here, Rajesh.
Don't be so formal, it feels so strange.
We're both superstars.
People are dying to make a film with me.
Movies? Any movie I act in becomes a super hit.
I was very hurt hearing about.
You shouldn't have trusted Shekhar.
But when I heard that you've left him
and corrected your mistake, I felt good.
That's why... I'm acting in his film.
Shekhar is directing a film.
That's why we've come to Bangkok.
Actually, he came to me begging
please do my film, he said.
I have such a soft heart. I took pity on him.
I'll Shelf his film.
Look, I can do anything for you.
I really care for you. You're so innocent,
and he broke your heart.
You did the right thing by leaving him. Really.
Tell me, did you leave Shekhar, or did he leave you?
- Shall we discuss this over a coffee? - Excuse me, I'm too tired. Good night.
Where are you going?
- Did you see anything? - Mansi slammed the door on your face.
- I didn't see that. - Thank God.
- Kapoor, please do something for me. - Yes, tell me.
Get me an item number in the film
that Mansi is shooting for in Bangkok.
You? In that film?
The producer of that film is such a miser that he begs from beggars.
He doesn't have a single penny.
And you want an item number?
That's not a problem. We'll invest money.
- What? - Yes.
I want to shoot a song with her.
You know what I mean?
Water everywhere. Love in the air.
We're rolling over each other in the sand.
Lots of dancers behind us.
- You'll do this, won't you? - I'll do it right away.
I love her.
"Why do I feel crazier by the moment?"
"Why are my body and heart restless?"
"Why do feel crazier every moment?"
"Why are my body and heart restless?"
"Why does the ambience seem new?"
"Why does everything seem new?"
"Why do I feel fragrant?"
"Why do I feel different?"
"No one knows why the heart falls in love"
"Why do I dream with open eyes?"
"Why does the ambience sing with me?"
"Why do the days seem so bright?"
"Why do I have desires in my heart?"
"Why does the night melt away?"
"Why does it seem so dark?"
"Why does the heart desire?"
"Why can't I sleep?"
"No one knows why the heart falls in love"
"Why do I remember just one name?"
"Why do I believe everything he says?"
"Why do I have desires?"
"Why is there a sea of dreams?"
"Why do we stagger?"
"Why are we breathless?"
"Why does this body crave?"
"Why do the eyes yearn for someone?"
"No one knows why the heart falls in love"
"Why do I feel crazier by the moment?"
"Why are my body and heart restless?"
"Why does the ambience seem new?"
"Why does everything seem new?"
"Why do I feel fragrant?"
"Why do I feel different?"
"No one knows why the heart falls in love"
- Cut it! - Cut it! Fantastic!
(Background Music)
- Sir, the dialogue is, Aarti I... - I know, I know.
I've memorised the entire page.
Clap in.
Taking.
- Taking! Make up out! - Take 14.
Action.
- What was the dialogue? - Cut!
Someone make him memorize the dialogue.
Sir, it's 'Aarti, don't leave me'.
It's such a complicated dialogue.
- I am fed up. - Clap in.
Everybody silence.
Action.
What's the first line?
- What should I do with him? - Aarti, don't leave me please.
- Fine. - Sir, it's...
Yes, I know. The same thing again.
- Sir, dialogue... - Acting...
- Yes, taking, taking, taking. - Come on. Come on.
They ruin my concentration.
One final please.
Aarti.
Don't leave me.
They've memorised it, but your hero still couldn't.
- He'll tell it. - Cut it. Say the dialogue.
Was the movement fine?
So, I'm taking one thing at a time. There's a system.
This was the movement. Now I'll say the dialogue.
We have to do something. Else he'll finish our stock.
- Sir, the dialogue is... - Dialogue, dialogue...
- What's that in the front? - That's the cameraman.
- And who is behind it? - He's the cameraman.
Okay fine.
- There's just one option left now. - What?
Only then he'll say the dialogue.
Aarti, don't leave me.
Agree, that in the party...
...I refused to recognise you.
But I was helpless.
If you think I don't love you...
- ...that's not true. - ...that's not true.
That's it, sir.
- Dialogue over. - Dialogue over.
Cut it, okay.
Thank God.
- Cut it. - What a shot?
- Superb shot. - Thank you.
- Sir, you'll bag the award. - How was it, baby?
We'll shoot two close-ups, and then shifting.
Yes.
Anwar, have some coconut water.
The shot's finally finished.
And listen, now the shooting is on the other side of the river.
Quickly, get on the other side. Come on.
- Shifting. - Come on.
How can I go?
I can't swim.
Why do you want to swim?
There's a bridge here for that.
Wants to swim.
- Gargi, hurry up. We are getting late. - Yes, ma'am. (Doorbell Ring)
Gargi, answer the door.
- Who is it, Gargi? - Madam...
Mansi.
How are you?
Mansi.
Mansi, whatever happened is now the past.
As soon as we found out, you're in Bangkok
we took the next flight.
Papa is here as well.
No, Mansi. We don't want anything from you.
I haven't come here to ask for anything.
I just want you to be happy.
No, I'm very happy now.
Because you've realised your mistake.
I'm very happy.
Do you know Shekhar is here as well?
So, I was a bit worried.
If he tries to trouble you
we'll let him know you're not alone.
Your family is with you.
I am sorry, I am getting late. I have to leave.
Gargi, let's go.
- Mr. Rajesh. Mr. Rajesh. - Don't touch me!
- Get out. - No, it's me Vicky.
- Who Vicky? - Vikram.
Everyone looks the same in Thailand. Who Vikram?
Mansi's brother.
Mansi... Mansi's brother.
"Take a shortcut"
We're meeting after so many years.
- What are you doing here? - I came here to meet Mansi.
Oh yes, she has left home.
You can't handle your expenses. No income.
What are you doing these days?
I had started a shop for ready-made garments.
But that didn't work. So I was thinking...
Thinking?
You're Mansi's brother, how can you think?
You're Mansi's brother. I'll do the thinking.
- Come here. - You stay here. You come with me.
"Take a shortcut"
- What did you say your name was? - Vicky.
Vicky.
Vicky, I have so much wealth, I just can't handle it.
I need a family member.
A kin.
You handle it.
You handle everything.
Thanks.
We are family now. There's no thanks among family members.
You know whenever I see Mansi...
Go, go.
You know whenever I see Mansi
- that thing inside me... - Lust?
No, love. I feel immense love for her.
I love her so much.
That scoundrel Shekhar entrapped her in his love.
The day they separated
I was convinced that God is very just.
So, you take care of my business and I'll look after Mansi.
I've loved her since I was a child.
- Since I was this small. This... - ♪Take the shortcut"
I've loved her since then.
(Background Music)
Guys, this is your final position.
- And can I show you how to start? - Yes.
See...
What are you doing here?
I don't like outsiders at my shooting.
He's my guest.
And I don't like anyone misbehaving with my guest.
If he's your guest, than he's our guest as well.
Now that you are here, eat something
and watch the shooting.
I... he went.
What a fitting reply!
His pride was shattered.
I want to shatter his pride completely.
I just need you to get Shekhar's signature.
Signature. For what?
Look, your sister has separated from him.
Just get his signature on the divorce papers.
After that, we'll be relatives.
Brothers-in-law and partners.
- Great, isn't it? - Good, good, good.
Gayatri, you enter from there.
- There's the mark. - Okay.
- You have to walk till there. - Yes.
- Sir. - Yes.
- Is this outfit okay? - Perfect.
- Okay. - You're waiting for Avinash.
- Okay. - But he isn't coming...
Can I talk to you for two minutes?
Look, I don't blame either of you
for whatever happened. You know.
Anyway, now your marriage is over.
- Have you come to give this good news? - No.
This is the good news.
Divorce papers.
Mansi has sent them.
(Background Music)
Thank you.
Just your initials on the initial pages.
And your signature on the last page.
Give me the pen.
Where are Mansi's signatures?
She'll sign later.
She was getting late for her shooting.
- I'll get it done. - Do one thing.
Get her signatures on it.
The court will accept her sole signatures.
And anyway, I don't have time.
The court will accept it, but if you both...
I don't want to do anything with Mansi.
I'm getting late for my shooting, I've to go.
You don't have the time for signing on the papers?
Are you deaf? I'm shooting.
Do you know why Mansi wants a divorce?
Because after the divorce, King Kumar will marry her.
Yes!
Please. Sign now.
- You're talking nonsense. - No, Shekhar... no.
You ruined my sister's life.
She was ruling the film industry like a bright star.
But you jinxed her life.
- Get lost. - I'll get this divorce done.
Sir, your dialogues.
What should I do? What should I do with the dialogues?
Shouldn't I get my make-up done? Or get my hair combed.
Dialogue, dialogue.
Just a minute.
How much of the film is complete?
Sir, 90%. The shot is ready.
Did you hear that?
Shekhar is a genius director.
He had sanctioned 60 days for the movie
and he completed 90% in 32 days.
If this continues, he'll release his film in few days.
He completed ninety percent, in 32 days.
I'll take 32 years to complete the next shot.
Avinash, I'm asking you for the last time will you marry me?
I've ruined my entire life for you.
Now I'm not interested in this life any more.
I'm going, good bye.
After saying this, Aarti starts running...
...and commits suicide by jumping off the bridge.
Problem. Big problem.
Why will Aarti commit suicide?
Sir, she's pregnant.
So what? I'll commit suicide.
Do you mean to say you're pregnant?
Shut up.
Look.
I'll commit suicide.
And I won't jump off any old bridge.
Helicopter. Chopper.
The chopper is flying at a high altitude.
I'll jump from there.
And yell, I'm sorry.
I won't tolerate this nonsense in my film. (Gasps)
No one comes to see the story.
People come to see King Kumar. Get that.
Come to my room in the evening and tell me the story. Understand.
- Pack up. Pack up. Let's go. - ♪Take the shortcut"
- Listen to me... - Shut up.
- Get out of my way. - Please tell him.
(Doorbell Rings)
I think he's here.
Boys, all the best.
(Hushing)
Come in.
Nice, nice.
Start.
I can come another time if you're busy.
King Kumar has created this ambience to hear your story.
And you are... Take a seat.
Make a peg, come on.
In front of everyone?
They are my friends. Not strangers.
We've given suggestions in all of his super-hit films.
(Laughs)
(Sighs)
As you know, we just have to shoot the last reel.
This scene is on a bridge.
You enter and the pregnant girl commits suicide.
Nonsense.
Boring.
It's absurd.
What did you say?
Sir enters the bridge waving his hands.
He'll enter in a limousine, and enter a discotheque.
Just think.
Laser lights reflecting on him.
And the beautiful girls of Thailand dancing around him.
Mind blowing, mind blowing.
And then King Kumar enters.
He takes the girls in his arms, and kisses them.
Wow!
Then starts the songs.
Dard-e-disco!
Wow! That's called script writing.
Please stop this nonsense.
Don't you know my story?
Unnecessarily you'll are filling it with crap.
Talking crap.
They gave me suggestions for my last six hit films.
Why do they only give suggestions?
Ask them to write the entire script.
What the hell?
How can you misbehave with King Kumar?
Who do you think you are?
What's your stature?
- Tell me? - Yes.
I'll come later.
Listen.
I'll complete this film
only when you narrate the entire story in front of them
and they approve of it.
(Grinning)
Raju, I've completed this script with a lot of hard work.
I've put in a lot of effort for each scene.
I won't let useless people toy with my script.
Just a minute.
Whom are you calling useless?
Who is useless?
Look, I don't know you.
We don't need to argue.
Such pride.
Have you ever done a film before?
It's his first film, and last as well.
- You! Scoundrel, come here! - Leave me.
(Indistinct)
Hey, Raju.
Don't try to test my patience.
Put a tape on his mouth.
If you try to toy around with my film, I won't spare you.
- Don't hit me. - Forgive me.
- Remember. - Please. (Glass breaking sound)
From far. From far.
Shekhar.
King Kumar hasn't arrived.
He has sent this letter.
What happened?
What has he written?
What is it?
'If you want to complete the film
then fall at my feet, and apologize.'
This is not right.
He's asking for an apology.
This is wrong.
This is absolutely wrong.
No, I'll talk to Raju.
Shekhar has done so many favours for him.
He has forgotten everything.
- I swear on Allah, I'll drag him here. - No, Anwar.
Don't be crazy.
Kantibhai, I've thought about it.
He wants me to apologise?
You'll have trusted me.
It's my responsibility.
I'll go apologise, and bring him here.
- No, sir. - Not at all sir.
No sir.
Quiet, I'll speak.
Shekhar, you cannot apologise.
Shekhar cannot apologise.
He cannot.
We started this movie on our own.
Shelf the picture even if we go bankrupt.
Come on, pack your bags.
We're going back.
Shekhar.
Greetings, sir.
Sir, ma'am is here to meet you.
- Where? - She's outside.
Greetings.
- Hi Shekhar. - What is it?
Shekhar, I...
Did you want to inform me about your marriage?
- No. - Maybe you've come to see
whether I'm completely ruined.
Just like everything is left incomplete in my life.
Similarly, my film's left incomplete.
Shekhar, the divorce papers that Vikram gave you...
Oh, I forgot.
You wanted a divorce, right?
Give me the papers. I'll sign them right away.
I came to tell you that I didn't send the divorce papers.
I didn't even know that Vikram gave you such papers.
And how can you imagine that I'd want a divorce?
I didn't leave you because I didn't love you.
I didn't want you to leave films for me.
You're the only one I have, Shekhar.
I'll be the happiest person when you complete your film.
But you could never understand me.
(Background Music)
Mansi.
Maybe you're right... I couldn't understand you.
But I know one thing.
I'm incomplete without you.
Will you give me one more chance?
Shekhar, I understood this the moment you called me.
You didn't have to say all this.
That's it.
Now that you are with me, I'll complete my film.
How?
- Friends, we'll complete this film. - What?
- Is Raju ready? - No.
According to me, this is the story board of all the scenes remaining.
Alright.
We'll shoot all the scenes that Raju has refused to shoot.
- How? - But how is this possible, sir?
I'll tell you.
Kantibhai, we'll need seven cameras for this.
We'll hide them in different locations.
Raju will never realise that we're shooting him.
We've to get Raju on the bridge somehow
and only Gayatri can do that.
I've hidden a camera in the building in front of the bridge.
- Just control that camera. - Okay, sir.
- Shaheen. - Sir.
You'll have to take close shots of Raju with this camera.
It's your responsibility to hide this camera.
- Okay? - Yes, sir.
Good.
You mean it's a total flop?
It must have done good business in one of the theatres.
It didn't survive the first screening.
Disaster.
- Who are you talking about? - You.
Your fifth film flopped as well.
That's why no one calls us.
No producer calls us for dates.
I think I'll have to go back to running my acting school again.
And those bundles of flat breads and 'papad'
are rotting in the store room.
If your films continue flopping
then we'll have to eat those flat breads all life long.
I won't accept defeat so soon.
I'll produce a film, direct it, and act in it as well.
And I'll be the audience, right?
(Cell Phone Ringing)
God, I hope it's a producer.
(Clearing throat)
King Kumar, here.
- Sir, Gayatri speaking. - Gayatri.
Sir, actually I couldn't get to know you well the other day.
Because of my parent's interference.
Yes.
- Can you come meet me at the bridge? - Yes.
And sir? Please come alone.
- Right away. - Okay.
Yes.
- I'll be back soon. - What?
I have a meeting.
(Background Music)
Just a minute.
Just a minute. Go back. Go back.
Listen. Everyone, take off your masks.
You don't have to do it, Bandya, Tatya.
Your teeth are sticking out of the mask.
Wear them back.
- Shivam. - Yes, sir.
Hold this. Is everything ready?
- Yes, sir it's ready. - He'll be arriving any minute.
- Where is Shaheen? - Sir, there.
- Camera? Very good. - Here.
- Hide it. Go on the bridge. - Okay.
If you walk like that, it'll take two days.
Run.
Ready.
- Wear it. You'll hear everything I say. - Okay, sir.
Go, on the staircase.
- All the best, Shekhar. - All the best. Go, go.
Where's everyone?
We all are ready.
Oh, wow! Everyone's ready. Wonderful. Hold this.
- Wear your mask. - Yes.
Hold this, hold this.
Is that Tatya, Bandya? How did I know?
Shivam, all set?
Start the camera when they reach the bridge, okay.
(Background Music)
Sir, sir... he's coming, sir.
Come on, Kantibhai run. Come on, run.
Start camera, start camera.
(Background Music)
Yes, sir.
Gayatri, get him on the bridge anyhow.
- Hi. - Hi.
Why did you call me here?
It's a carnival out here.
Come up.
My suite, hotel.
Sai, Anwar duplicate, take your positions on the bridge.
(Indistinct noise)
(Collective Sound)
Why did you call me here?
- Let's go up first. Quickly. - Why go up there?
- I have a room, in a five-star hotel. - Let's go up first. Quickly.
- I am paying for it. - Come up, quickly.
Come on, crane up.
Why did you call me here? It's getting embarrassing.
Gayatri, bring him on the mark.
On the bridge with cars zooming by?
I have a mind-blowing room.
- Say your dialogue. - Yes, sir.
I ask you for the last time will you marry me?
Marriage? When did you ask me the first time?
You know I'm pregnant with your child.
Pregnant with my child?
- How is that possible? - Shut up.
I ruined my entire life for you.
I'm pregnant with your child
and now you're going back on your words?
I cannot stay alive now.
I'm going, forever.
I've heard this dialogue before.
Hey where are you going? Wait.
I've written a letter to my brother.
Van, move.
You're responsible for my death.
- Gayatri, push him. - What?
(Shouting)
Wait!
Stop!
Hey!
Murder!
This girl was committed suicide.
(Sighs)
What happened?
(Chattering)
Killer.
I didn't do it.
- Killer. - I didn't do it.
Tell them, I didn't do it.
That man...
- No, no. - He is a killer. Killer!
No, no.
- It's you. - Anwar, slap him.
You are responsible for it.
- Why did you do this? - Why are you hitting me?
- She died because of you. - Why are you hitting me?
Anwar, I couldn't see the slap.
Bring him in front of the camera, and slap him again.
Okay, sir.
(Groaning)
- What are you doing? - Stand here.
Catch him.
"Take a shortcut"
(Chattering)
Catch him.
(Traffic Ambience)
"Take a shortcut"
Listen.... listen.
Money? I'll give you money. One, okay. Go. Go.
Go! Go!
- Don't hit me. - Get them!
Kantibhai, give them double money.
Hey, stop!
Take this money.
"Take a shortcut. Take it, quickly"
"Take a shortcut" (Shouts)
Police, come arrest him now.
(Police Siren Wailing)
"Take a shortcut"
"Take a shortcut. Take it, quickly"
Let go off me! Scoundrel! Let go off me!
(Police Siren Wailing)
Police!
Hey, leave me.
(Background Music)
(Police Siren Wailing)
(Panting)
(Background Music)
(Shouts)
No! No!
Don't shoot. Don't shoot.
(Shouting)
(Gunshots)
And, cut it.
I got my climax.
Climax.
(Cheering)
You tried your best to stop me, Mr. Shortcut.
But I completed my film.
You can steal someone's work, but not his talent.
I'm releasing this film on the 14th of November.
Try and stop me if you can.
Hail Goddess.
Sit, sit down everyone.
(Applause)
When did this happen?
Aarti! Stop there!
(Shouting)
- I didn't do anything. - Why did you do this?
(Shouting)
Killer! Killer!
(Chattering)
It was a wonderful film.
The audience has given a positive response.
It was wonderful.
- Congratulations, sir you were wonderful. - Thank you, sir.
Sir, you've overshadowed King Kumar with your first film.
Sir, you're a superstar now.
- No. - Congratulations, Anwar.
Sir, I was just an ordinary junior artist.
This is the miracle of our director.
Shekhar... Where is Shekhar?
- There he is! - Super-hit, sir!
Shekhar!
How nice! How nice, Shekhar.
I knew you'd make it big one day.
But with your first film?
How did you perform this miracle? (Camera Clicks)
Hard work, sir.
There's no shortcut to success.
Yes.
And the one who tried to take a shortcut
fell flat on his face.
This is for all of you from me.
Thank you, thank you.
And this is from us, for you two.
Kantibhai!
Welcome to Hansraj Wadi family.
- Hip hip hurray. - Thank you.
Hip hip hurray.
Excuse me.
Look. Look, Shekhar has ruined our career.
He turned that junior artist into a hero and ruined your reputation.
No one is asking for us. He is ruined us.
We had to see this day.
Kapoor, why are you over-acting? Relax. Relax.
Have you heard about Vilas Rao Damodar Godbole Mane?
- What is that? - He's a genius.
He has written a fabulous script.
Is he casting you in his film?
I'm going to take his script.
Just get me his address.
See, there is always a shortcut.
Shortcut.
"Take it. Take it. Take the shortcut"
"Don't grieve about what's right and what's wrong"
"Take it. Take it. Take the shortcut"
"- Don't grieve. - Take the shortcut"
"- You've less time. - Take the shortcut"
"- I swear... - Take the shortcut"
"Take it, quickly"
"- Don't think. - Take the shortcut"
"- There's a long queue. - Take the shortcut"
"- Come on, fool. - Take the shortcut"
"- Let's go. - Quickly"
"Take it. Take it. Take the shortcut"
"Don't grieve about what's right and what's wrong"
"Take it. Take it. Take the shortcut"
"Quickly"
"Turn two and two into twenty-two"
"Cheat your way through"
"Anyone that can benefit you"
"Appease him"
"- Be a sycophant. - Take the shortcut"
"- That's the best. - Take the shortcut"
"- Listen boy... - Take the shortcut"
"Let's go, quickly"
"- Don't grieve. - Take the shortcut"
"- You've less time. - Take the shortcut"
"- I swear... - Take the shortcut"
"Take it, quickly"
"Take it. Take it. Take the shortcut"
"Don't grieve about what's right and what's wrong"
"Take it. Take it. Take the shortcut"
"Quickly"
"You'll always fall on the right path"
"Take the shortcut to success"
"If you want to be at the top"
"Take any opportunity you get"
"- Sometimes like this. - Take the shortcut"
"- Sometimes like that. - Take the shortcut"
"- Shell out the money. - Take the shortcut"
"Lets go, quickly"
"- Don't grieve. - Take the shortcut"
"- You've less time. - Take the shortcut"
"- I swear... - Take the shortcut"
"Take it, quickly"
"Take it. Take it. Take the shortcut"
"Don't grieve about what's right and what's wrong"
"Take it. Take it. Take the shortcut"
"Quickly"